Blade of Grass, or Wilson Tucker's criminally underappreciated The Long Loud Silence. I could go on and on . . .and I do—in the "For Further Reading" appendix you'll find at the end of this book.
Post-apocalyptic SF first rose to prominence in the aftermath of World War II—no doubt due in large part to the world having witnessed the devastating destructive power of the atomic bomb—and reached the height of its popularity during the Cold War, when the threat of worldwide nuclear annihilation seemed a very real possibility.
But when the Berlin Wall fell, so did the popularity of post-apocalyptic fiction. If you examine the copyright page of this anthology, you'll note that just two of the stories in this volume were written in the '90s. On the other hand, more than half of these stories were originally published since the turn of the millennium. So why the resurgence? Is it because the political climate now is reminiscent of the climate during the Cold War? During times of war and global unease, is it that much easier to imagine a depopulated world, a world destroyed by humanity's own hand?
Is that all there is to it, or is there something more? What is it that draws us to those bleak landscapes—the wastelands of post-apocalyptic literature? To me, the appeal is obvious: it fulfills our taste for adventure, the thrill of discovery, the desire for a new frontier. It also allows us to start over from scratch, to wipe the slate clean and see what the world may have been like if we had known then what we know now.
Perhaps the appeal of the sub-genre is best described by this quote from "The Manhattan Phone Book (Abridged)" by John Varley:
We all love after-the-bomb stories. If we didn't, why would there be so many of them? There's something attractive about all those people being gone, about wandering in a depopulated world, scrounging cans of Campbell's pork and beans, defending one's family from marauders. Sure it's horrible, sure we weep for all those dead people. But some secret part of us thinks it would be good to survive, to start over. Secretly, we know we'll survive. All those other folks will die. That's what after-the-bomb stories are all about.
Or is that just the beginning of the conversation? Read the stories, and you decide.
The stories in this volume go beyond the "wandering," "scrounging," and "defending" that Varley describes above. What you will find here are tales of survival and of life in the aftermath that explore what scientific, psychological, sociological, and physiological changes will take place in the wake of the apocalypse.
What you will not find here are tales depicting the aftermath of aliens conquering the Earth, or the terror induced by a zombie uprising; both scenarios are suitably apocalyptic, but are subjects for another time (or other anthologies, as it were).
In the stories that follow, you will find twenty-two different science fictional apocalyptic scenarios. Some of them are far-fetched and unlikely, while others are plausible and all-too-easy to imagine. Some of the stories flirt with the fantastic. Many venture into horrific territory. All of them explore one question:
What would life be like after the end of the world as we know it?
The End of the Whole Mess
by Stephen King
Stephen King needs no introduction. He is the award-winning, best-selling author of novels such as Carrie and the post-apocalyptic masterpiece The Stand. Although he is most well-known for his novels and the movies they've inspired, he is a prolific author of short fiction as well, having written enough of it to warrant several collections including: Everything's Eventual, Night Shift, Skeleton Crew, and Nightmares & Dreamscapes. "The End of the Whole Mess" appeared in the latter volume, but was originally published in Omni magazine in 1986. It was nominated for the World Fantasy Award, and was recently adapted into a one-hour movie as part of a TNT Nightmares & Dreamscapes miniseries.
There are several factors that go into deciding which story to lead off an anthology with. You might pick a story that's by a high-profile contributor, one that's uncommonly good and packs a strong emotional punch, or one that will set the tone for the rest of the book; this story is all three.
I want to tell you about the end of war, the degeneration of mankind, and the death of the Messiah—an epic story, deserving thousands of pages and a whole shelf of volumes, but you (if there are any "you" later on to read this) will