PART ONE Chapter One
I am old now and have not much to fear from the anger of gods. I have no husband nor child, nor hardly a friend, through whom they can hurt me. My body, this lean carrion that still has to be washed and fed and have clothes hung about it daily with so many changes, they may kill as soon as they please. The succession is provided for. My crown passes to my nephew.
Being, for all these reasons, free from fear, I will write in this book what no one who has happiness would dare to write. I will accuse the gods, especially the god who lives on the Grey Mountain. That is, I will tell all he has done to me from the very beginning, as if I were making my complaint of him before a judge. But there is no judge between gods and men, and the god of the mountain will not answer me. Terrors and plagues are not an answer. I write in Greek as my old master taught it to me. It may some day happen that a traveller from the Greeklands will again lodge in this palace and read the book. Then he will talk of it among the Greeks, where there is great freedom of speech even about the gods themselves.
Perhaps their wise men will know whether my complaint is right or whether the god could have defended himself if he had made an answer.
I was Orual the eldest daughter of Trom, King of Glome. The city of Glome stands on the left hand of the river Shennit to a traveller who is coming up from the south-east, not more than a day's journey above Ringal, which is the last town southward that belongs to the land of Glome. The city is built about as far back from the river as a woman can walk in the third of an hour, for the Shennit overflows her banks in the spring. In summer there was then dry mud on each side of it, and reeds, and plenty of waterfowl. About as far beyond the ford of the Shennit as our city is on this side of it you come to the holy house of Ungit. And beyond the house of Ungit (going all the time east and north) you come quickly to the foothills of the Grey Mountain. The god of the Grey Mountain, who hates me, is the son of Ungit. He does not, however, live in the house of Ungit, but Ungit sits there alone. In the furthest recess of her house where she sits it is so dark that you cannot see her well, but in summer enough light may come down from the smoke-holes in the roof to show her a little. She is a black stone without head or hands or face, and a very strong goddess. My old master, whom we called the Fox, said she was the same whom the Greeks call Aphrodite; but I write all the names of people and places in our own language.
I will begin my writing with the day my mother died and they cut off my hair, as the custom is. The Fox - but he was not with us then - said it is a custom we learned from the Greeks.
Batta, the nurse, shore me and and my sister Redival outside the palace at the foot of the garden which runs steeply up the hill behind. Redival was my sister, three years younger than I, and we two were still the only children. While Batta was using the shears many other of the slave women were standing round, from time to time wailing for the Queen's death and beating their breasts; but in between they were eating nuts and joking. As the shears snipped and Redival's curls fell off, the slaves said, "Oh, what a pity! All the gold gone!"
They had not said anything like that while I was being shorn. But what I remember best is the coolness of my head and the hot sun on the back of my neck when we were building mud houses, Redival and I, all that summer afternoon.
Our nurse Batta was a big-boned, fair-haired, hard-handed woman whom my father had bought from traders who got her further north. When we plagued her she would say, "Only wait till your father brings home a new queen to be your stepmother. It'll be changed times for you then. You'll