at night before she falls asleep and it’s almost as if he’s right there with her.
She picks up her pace and moves toward the tracks, dulled and worn down by time and elements. The rail ties are barely visible through the weeds, half-buried sun-bleached bones. She’s breathing hard and suddenly realizes tears are rolling down her cheeks. On the opposite side of the tracks where the last year’s winter wheat stands, unsown and bent like a wizened old man, is a field that in a few months will be filled with alfalfa. There she sees something. He is hidden in the shadows but she knows it’s him. He’s come. He beckons her with a raised hand and her heart leaps.
Out of the corner of her eye she sees a familiar shape sitting on the train tracks, knees tucked beneath her chin. The girl turns her head as she approaches, stretches out her legs, holds her injured arm close to her side. They don’t speak. She trusts her. Of course she does.
The figure in the dry grass tilts his chin as if to say, Go ahead. Do it. I dare you. Her legs are not her own as she approaches, the knife bouncing lightly against her thigh. She stops in front of the girl who stands and smiles crookedly up at her through tears, her small teeth flashing white. Beneath her feet the ground vibrates, warning her of the coming train. She has to hurry; once the engine comes into view it will be too late. He’ll leave.
In the distance a dog barks. The rumble of the train grows louder.
She strikes quickly, without thinking. The cold metal rips through fabric and skin easily. She thought it would be harder, take more effort. The girl looks at her in confusion, presses her fingers to her abdomen and pulls them away. The girl looks surprised to find them wet with blood.
The tracks shiver and shake with the approaching engine. The girl tries to squirm away but she yanks her backward and the slick knife slides through her fingers and to the ground; she slams the girl’s head onto the track, the rusty bolts tearing at the girl’s cheek, the delicate skin below her eye. Again and again she thrusts the girl’s head down until her muscles burn and the girl goes limp. She considers leaving her on the tracks but in a burst of adrenaline she pushes the girl off the rails.
As she breathes deeply, her eyes search for him but he’s gone. He’s slipped back into the tall grass. He can’t leave her behind. He promised. A wail from deep inside tries to find its way out but she finds she can’t make a sound.
The freight train bears down on her with a long mournful cry and she considers staying still, allowing the engine to pull her beneath its iron wheels, but somehow her legs carry her over the tracks. She sees herself pushing through the plumes of winter wheat, painting them red as she brushes by, and finally catches sight of him. He pauses and turns to face her. He looks pleased.
Case #92-10945
Excerpt from the journal of Cora E. Landry
Sept. 5, 2017
Today was my first official day of sixth grade and it actually went really well! Middle school is a lot bigger than my elementary school because three dinky towns have to share the building. For once I’m going to school with kids I haven’t been with since preschool.
The good news is I don’t have any classes with Melody Jenkins, who was awful to me during fifth grade. She’s the one who sent the top four lists all around school. I was at the top of each one. Dumbest, ugliest, weirdest, most likely to be a virgin. That last one is just stupid. I tried to not let it bother me but it did. And I only have lunch and one class with Jordyn Petit. Jordyn isn’t as bad as Melody but last year she did tell everyone that I liked Dakota Richter. NOT true!
The best news is that I have lunch and social studies with Gabe Shannon, who I’ve liked forever and I think he might actually like me, too. This summer I helped my mom in the elementary school office where she’s the secretary and Gabe helped his mom set up her kindergarten classroom for the new school year. We hung out a bunch this summer and really got to know each other.