Purity of Blood - By Arturo Perez-Reverte
A PLUME BOOK
PURITY OF BLOOD
ARTURO PÉREZ-REVERTE is the internationally bestselling author of The Queen of the South and Captain Alatriste. He lives near Madrid, Spain.
I. SEÑOR QUEVEDO’S DIFFICULT MOMENT
That day there were bullfights in the Plaza Mayor, but constable Martín Saldaña’s festive fire had been doused. A woman had been found in a sedan chair in front of the church of San Ginés, strangled. In her hand was a pouch containing fifty escudos and a handwritten, unsigned note bearing the words, For masses for your soul.
A pious old woman on her way to early church had found the body. She advised the sacristan, and he had informed the parish priest who, after a hurried absolution, sub conditione, made a report to the authorities. By the time the chief constable showed up to make his token appearance in the small plaza of San Ginés, local residents and curious bystanders were milling around the sedan chair. The chair and its contents had become the object of a local pilgrimage, and a number of Saldaña’s catchpoles were needed to hold back the crowd while the judge and the scribe drew up their documents and Martín Saldaña made his cursory examination of the corpse.
The chief constable set about his task in the most leisurely fashion, as if he had time to burn. Perhaps it was because of his history as a former soldier—he had served in Flanders before his wife (at least it was said it had been she) obtained his present position for him. In any case, Madrid’s chief constable went about his duties at a pace that a certain satiric poet—the gifted-in-wealth-as-well-as-talent Ruiz de Villaseca—had described in a poisonous décima as paso de buey, an ox’s pace. It was a clear allusion to the lethargy with which the chief constable picked up his staff of office, or attempted to parry the staffs his wife welcomed.
In any case, if it is true that Martín Saldaña was slow in certain things, he was definitely not so when it came to drawing his sword, or dagger, or poniard, or the well-oiled pistols he was wont to wear in his waistband—all of which clanged like sounds issuing from a smithy. On the night of the third day after the aforementioned décima had circulated among the gossipers gathered at the mentidero of San Felipe, the most popular of Madrid’s rumor mills, this same now-not-so-gifted Villaseca had been found at the very door to this house with three sword-tailored buttonholes in his body. He was now extremely well qualified—whether from Purgatory, Hell, or wherever—to confirm exactly how swiftly the constable could move.
The fact is that from the calm and collected inspection the head constable made of the cadaver, almost nothing was learned. The dead woman was mature, nearer fifty than forty, dressed in a voluminous black gown and a headdress that lent her the look of a duenna, or a lady’s companion. Her purse held a rosary, along with a key and a crumpled religious card depicting the Virgin of Atocha. Around the victim’s neck was a gold chain bearing a medallion of Saint Águeda. Her own features suggested that in her younger days she had been well favored. There were no signs of violence other than the silk cord still cutting into her neck, and her mouth, frozen in the rictus of death. From her color, and the rigor, the constable concluded that she had been strangled the preceding night, in that same sedan chair, before being carried to church.
The detail of the pouch with money for masses for her soul indicated a twisted sense of humor—or, conversely, great Christian charity. After all, in the dark, violent, and contradictory Spain of our Catholic King Philip IV, in which dissolute wastrels and rough-living braggarts howled for confession at the top of their lungs after being shot or run through by a sword, it was not unusual to encounter a pious swordsman.
Martín Saldaña told us about the event late that afternoon. Or, to be more precise, told Captain Alatriste. We met him at the Guadalajara gate, returning among the crowd from the Plaza Mayor after he had completed his inquiries regarding the murdered woman. Her body had been laid out in Santa Cruz in one of the coffins for hanged prisoners, in hopes that someone might identify her. The constable merely mentioned the murder in passing, more interested in the performance of the afternoon’s bulls; at that time in Madrid, street crimes were common, but afternoons of bulls and cañas