Player piano - By Kurt Vonnegut Page 0,2

the air of belonging to an elite.

Some people, including Paul’s famous father, had talked in the old days as though engineers, managers, and scientists were an elite. And when things were building up to the war, it was recognized that American know-how was the only answer to the prospective enemy’s vast numbers, and there was talk of deeper, thicker shelters for the possessors of know-how, and of keeping this cream of the population out of the front-line fighting. But not many had taken the idea of an elite to heart. When Paul, Finnerty, and Shepherd had graduated from college, early in the war, they had felt sheepish about not going to fight, and humbled by those who did go. But now this elite business, this assurance of superiority, this sense of rightness about the hierarchy topped by managers and engineers—this was instilled in all college graduates, and there were no bones about it.

Paul felt better when he got into Building 58, a long, narrow structure four blocks long. It was a pet of his. He’d been told to have the north end of the building torn down and replaced, and he’d talked Headquarters out of it. The north end was the oldest building in the plant, and Paul had saved it—because of its historical interest to visitors, he’d told Headquarters. But he discouraged and disliked visitors, and he’d really saved Building 58’s north end for himself. It was the original machine shop set up by Edison in 1886, the same year in which he opened another in Schenectady, and visiting it took the edge off Paul’s periods of depression. It was a vote of confidence from the past, he thought—where the past admitted how humble and shoddy it had been, where one could look from the old to the new and see that mankind really had come a long way. Paul needed that reassurance from time to time.

Objectively, Paul tried to tell himself, things really were better than ever. For once, after the great bloodbath of the war, the world really was cleared of unnatural terrors—mass starvation, mass imprisonment, mass torture, mass murder. Objectively, know-how and world law were getting their long-awaited chance to turn earth into an altogether pleasant and convenient place in which to sweat out Judgment Day.

Paul wished he had gone to the front, and heard the senseless tumult and thunder, and seen the wounded and dead, and maybe got a piece of shrapnel through his leg. Maybe he’d be able to understand then how good everything now was by comparison, to see what seemed so clear to others—that what he was doing, had done, and would do as a manager and engineer was vital, above reproach, and had, in fact, brought on a golden age. Of late, his job, the system, and organizational politics had left him variously annoyed, bored, or queasy.

He stood in the old part of Building 58, which was now filled with welding machines and a bank of insulation braiders. It soothed him to look up at the wooden rafters, uneven with ancient adze marks beneath flaking calcimine, and at the dull walls of brick soft enough for men—God knows how long ago—to carve their initials in: “KTM,” “DG,” “GP,” “BDH,” “HB,” “NNS.” Paul imagined for a moment—as he often imagined on visits to Building 58—that he was Edison, standing on the threshold of a solitary brick building on the banks of the Iroquois, with the upstate winter slashing through the broomcorn outside. The rafters still bore the marks of what Edison had done with the lonely brick barn: bolt holes showed where overhead shafts had once carried power to a forest of belts, and the wood-block floor was black with the oil and scarred by the feet of the crude machines the belts had spun.

On his office wall, Paul had a picture of the shop as it had been in the beginning. All of the employees, most of them recruited from surrounding farms, had stood shoulder to shoulder amid the crude apparatus for the photograph, almost fierce with dignity and pride, ridiculous in stiff collars and derbies. The photographer had apparently been accustomed to taking pictures of athletic teams and fraternal organizations, for the picture had the atmosphere, after the fashion of the day, of both. In each face was a defiant promise of physical strength, and at the same time, there was the attitude of a secret order, above and apart from society by virtue of participating in important and moving