of those little green pine things. I wondered whether I should inform the driver that I knew for a fact more than half his collection was complete and utter bullshit. I decided against it.
I was going to Anaheim, not Hollywood. Anaheim is on the whole other side of town, as far as you can get from the glamour and the ballyhoo and still be in the same city. There was a Disneyland park, which I hoped to visit if I got the chance. If only to chat up Snow White. (Boyhood crushes are a terrible thing.) Still, despite all my best intentions, I was just a bit overawed at being in a city I knew only from films and television. We passed off-ramp signs, for places like Echo Beach and Mulholland Drive, names the whole world knew. It was like seeing road signs to Narnia and Oz.
I was in Los Angeles to meet up with the local field agent, Luther Drood. I didn’t know the man, but then, it’s a large family, and field agents by their very nature don’t come home much. In fact, it’s the reason why most of us become field agents. Luther had made Los Angeles his home for more than twenty years, and despite all the good work he’d done, there was always the chance he’d gone native. Nothing like being a big fish in a small pond to make you forget all about the sharks who operate in the larger world.
I was supposed to meet Luther at the Magnificat, the single biggest hotel in LA, opening tomorrow morning in a gala ceremony at nine a.m., sharp. But Luther and I had business to attend to in the Magnificat today, and how we got on would decide whether there would be any grand opening tomorrow. Whenever possible, I like to get in, do the job, and get out again without being noticed, but given the nature of the job, sometimes fire, general mayhem and extensive property damage are just unavoidable side effects.
The taxi driver fixed me in his rearview mirror with his calm, steady gaze. “So, man, are you an actor, or a writer?”
“Neither,” I said firmly.
There was a long pause, as he tried to get his head around such a novel concept. “Hell, man, everyone here is either an actor, or a writer. Or a producer. Everything else is just what you do to pay the bills, till the big break comes around. You’re a Brit, right? Love the accent. You guys make the best villains . . . So, are you a producer? Because I got this killer screenplay, guaranteed to do major business. All about this guy who can turn invisible, but only when he’s naked . . . You don’t like that one? Okay, how about this for high concept—James Bond meets Alien!”
“Been there, done that,” I said. “Just drive.”
And there must have been something in my voice, because he sniffed loudly, shut up, and fixed his gaze on the road ahead. He turned his music up loud, which seemed to consist mainly of bass beats, heavy grunts and extensive use of the word “ho.” I didn’t think it had anything to do with the song from Snow White. Unless one of the dwarves was called Shouty.
We hadn’t been driving long before we hit hard traffic. Every lane was full, in every direction, and everyone had ground to a halt. There was a lot of bad-tempered horn abuse, and even more harsh language. My driver just sat back in his seat and rolled up another fat one, quite content to sit there as long as it took, and watch his fare rise. I wasn’t. I had work to be about, and a deadline to meet. So I got out of the taxi, paid off the driver, (including a tip nicely calculated to spoil his whole day without inciting actual violence), and walked up the highway, strolling in and out of the parked cars. And no one saw me, because I had armoured up and invoked stealth mode.
The marvellous armour of the Droods flowed out of the golden torc around my throat, and covered me in a moment from head to toe, like a second skin. The awful heat was cut off in a moment, the unbreathable smog was filtered into air fresh as a spring morning, and I felt stronger, smarter, and fully alive for the first time. And, more importantly, I was pretty much invulnerable to anything the world could