The confusion - By Neal Stephenson Page 0,1

even more colossal cannons, as well as mortars for heaving bombs out to sea. All of those were being fired, too—as were all of the guns spraying from the several additional fortresses, bastions, and gun-platforms distributed around the city’s walls.

During rare intervals between the crushing thuds of the sixty-pounders, he could hear peppery waves of pistol-and musket-fire rolling around the place, and now (beginning to advert on smaller things) he saw a sort of smoky, crowded lawn growing out of the wall-tops—save instead of grass-blades this lawn was made up of men. Some were dressed in black, and some in white, but most wore more colorful costumes: baggy white trousers belted with brilliantly hued swathes of silk, and brightly embroidered vests—frequently, several such vests nested—and turbans or red cylindrical hats. Most of those who were dressed after this fashion had a pistol in each hand and were firing them into the air or reloading.

The man with the outlandish johnson—swarthy, with wavy black hair in a curious ’do, and a knit skullcap—hitched up his robe, and sloshed out to see if he was all right. For he still had both hands clamped over the sides of his head, partly to stanch the bleeding of the barnacle-gashes, and partly to keep the sound from blowing the top of his skull out to sea. The man peered down and looked into his eyes and moved his lips. The look on his face was serious, but ever so slightly amused.

He reached up and grabbed this fellow’s hand and used it to haul himself up to his feet. Both men’s hands were so heavily callused that they could practically catch musket-balls out of the air, and their knuckles were either bleeding, or else recently scabbed over.

He had stood up because he wanted to see what was the target of all of this shooting, and how it could possibly continue to exist. A fleet of three or four dozen ships was arrayed in the harbor, and (no surprise here) they were all firing their guns. But the ones that looked like Dutch frigates were not firing at the ones that looked like heathen galleys, nor vice versa, and none of them seemed to be firing at the vertiginous white city. All of the ships, even the ones that were of European design, flew crescent-moon banners.

Finally his eye settled on one ship, which was unique in that she was the only vessel or building in sight that was not vomiting smoke and spitting flame in all directions. This one was a galley, very much in the Mohametan style, but extraordinarily fine, at least to anyone who found whorish decoration appealing—her non-functioning bits were a mess of gold-leafed gewgaws that glowed in the sun, even through drifting banks of powder-smoke. Her lateen sail had been struck and she was proceeding under oar-power, but in a stately manner. He found himself examining the movements of her oars just a bit too closely, and admiring the uniformity of the strokes more than was healthy for a Vagabond in his right mind: leading to the questions, was he still a Vagabond, and was he in his right mind? He recalled—dimly—that he had lived in Christendom during one part of his sorry life, and had been well advanced in the losing of his mind to the French Pox—but he seemed all right now, save that he couldn’t recall where he was, how he’d gotten there, or anything at all of recent events. And the very meaning of that word “recent” was called into question by the length of his beard, which reached down to his stomach.

The intensity of the cannonade waxed, if such a thing were possible, and reached a climax as the gold-plated galley drew up alongside a stone pier that projected into the harbor not awfully far away. Then, all of a sudden, the noise stopped.

“What in Christ’s name—” he began, but the rest of his utterance was drowned out by a sound that—compared to hundreds of cannons firing at once—made up in shrillness what it lacked in volume. Listening to it in amazement, he began to detect certain resemblances between it and musick. Rhythm was there, albeit of an overly complicated and rambunctious nature, and melody, too, though it was not cast in any civilized mode, but had the wild keening intonations of Irish tunes—and then some. Harmony, sweetness of tone, and other qualities normally associated with musick, were absent. For these Turks or Moors or whatever they were