laying on the innocent act too thick would not work on Tito.
Luckily, Tito seemed to want to get rid of them. “Pa’ fuera,” he said dismissively. “But don’t touch my cempasúchitl.”
Yadriel didn’t need to be told twice. He grabbed Maritza’s arm and made for the church.
“Leave the concha,” Tito added.
Yadriel left it on top of the peach-colored tomb while Tito went back to trimming his marigolds.
He ran up the steps to the church, Maritza right on his heels. With a hard shove, the heavy doors swung open with a groan.
Yadriel and Maritza crept down the aisle. The inside was simple. Unlike a standard church, there weren’t many rows of pews and there were no seats at the back. When the brujx gathered for ceremonies and rituals, everyone stood in large circles together in the open space. Three tall windows made up the apse of the church. During the day, the California sunlight streamed through the colorful, intricate stained glass. Dozens of unlit candles crowded the main altar.
On a ledge halfway up the wall stood a statue of their sacred goddess, the diosa who had bestowed the brujx with their powers thousands of years ago, when gods and monsters roamed the lands of Latin America and the Caribbean: the Lady of the Dead.
The skeleton was carved out of white stone. Black paint accented the lines of her bony fingers, toothy smile, and empty eyes. Lady Death wore a traditional white lace-trimmed huipil and layered skirt. A mantle was draped over the crown of her head, flowing to rest on her shoulders. The neck of her dress and hem of the mantle were embroidered with delicate flowers of golden thread. A bouquet of Tito’s freshly cut marigolds lay in her skeletal hands.
She had many names and iterations—Santa Muerte, la Huesuda, Lady of Shadows, Mictecacihuatl. It depended on the culture and language, but each representation and image came down to the same thing. To be blessed by Lady Death, to have his own portaje and to serve her, was what Yadriel wanted most in the world. He wanted to be like the other brujos, to find lost spirits and help them pass to the afterlife. He wanted to stay up all night on boring graveyard duty. Hell, he’d even spend hours pulling weeds and painting tombs if it meant being accepted by his people as a brujo.
As Yadriel approached her, propelled forward by his desire to serve her, he thought about all the generations of brujx who had their own quinces ceremonies right here. Men and women who’d emigrated from all over—Mexico and Cuba, Puerto Rico and Colombia, Honduras and Haiti, even the ancient Incas, Aztecs, and Maya—all bestowed with powers by the ancient gods. A mix of beautifully nuanced, vibrant cultures that came together to make their community whole.
When brujx turned fifteen years old, they were presented to Lady Death, who would give them her blessing and tie their magic to their chosen conduit, their portaje. For women, portajes often took the form of a rosary (a symbol that had begun as a ceremonial necklace and was altered with the rise of Catholicism in Latin America). It was a piece of jewelry that could go unnoticed and ended with a charm that could hold a small amount of sacrificial animal blood. While a crucifix was the most common symbol, sometimes a bruja’s rosary ended in a sacred heart or a statuette of Lady Death.
Men’s portajes were often daggers of some sort, as a blade was required to sever the golden thread that bound a spirit to their earthly tether. By cutting that tie, brujos were able to release spirits to the afterlife.
Being gifted your portaje was an important rite of passage for every brujx.
Every one, except for Yadriel.
His quinces had been postponed indefinitely. He’d turned sixteen the past July, and he was tired of waiting.
In order to show his family what he was, who he was, Yadriel needed to go through with his own quinces ceremony—with or without their blessings. His father and the rest of the brujx hadn’t left him with a choice.
Sweat trickled down Yadriel’s spine, sending a shiver through his body. The air felt charged, like the ground hummed with energy below his feet. It was now or never.
Kneeling before Lady Death, he unpacked the supplies he needed for the ritual. He placed four prayer candles on the ground in a diamond to represent the four winds. A clay bowl went in the center to represent the earth. Yadriel