The Bohemian Girl - By Kenneth Cameron Page 0,4

he knew was work. He would go to work; he would try to recover the novel that he couldn’t bring out of Central Europe. He had written an outline of it before he had left London six months before. It was in a drawer in the desk.

He pulled the drawer open. It was empty. He was going to shout for Atkins when he found that Atkins was standing at his door. Denton said, ‘Have you been cleaning up my desk?’

‘Not likely. You know somebody wears a black bowler and has a red moustache?’

‘Did you find a Commissionaire?’

‘’Course I did.’

‘I’m missing something from my desk.’

‘I haven’t been home long enough to pinch it. You know a bowler and a red moustache or don’t you?’

Denton was going through the other drawers. ‘I hope not. Why?’

‘Looking at us from the window of the house behind.’

‘Lives there, I suppose.’

‘Housemaid two doors up says the house is empty and to let. Then, coming back from finding the Commissionaire, I see him skulking across the way. Have yourself a look.’

They both went along the corridor to the front of the house, on this floor a small bedroom he never used. Side by side, they looked down into the street. ‘Gone,’ Atkins said. ‘I knew it.’ He sniffed. ‘Suspicious.’

‘What’s suspicious about it?’

‘He had a rum look.’

‘Probably what he’d say about you.’ Denton went back to his desk.

Atkins followed. ‘As long as I’ve come this far, I might as well get your clothes.’ Denton’s blank look made him add, ‘Air them out. Six months in the clothes press. Eh?’

‘Well, hurry up, I’m working.’ He began again to search the drawers he’d already looked through.

‘Could have fooled me.’ Atkins loaded his arms with wool suits. Going out, he said, ‘That fellow was a bad actor, I’m telling you. They know you’re back, Colonel.’

‘Who?’

‘Your enemies.’

Denton put on an old shirt and hugely baggy corduroy trousers, stuffed his feet into leather slippers and went up another flight to the attic. Could he have left the outline up there? The unfinished wood smelled the same as it had six months before - dusty, dry, resinous - and his exercise contraption seemed the same, his dumb-bells, his Flobert parlour pistols, locked in their case and hidden under his massive rowing machine. The old Navy Colt that had been with him since the American Civil War, however, wasn’t there; like his novel and his Remington derringer, it hadn’t made it back from Transylvania. The outline wasn’t to be found, either. Denton hoisted a hundred-pound dumb-bell, thought he’d lost strength in the prison. He sat in the rowing machine, looked up at the skylight to make sure that nobody had tried to break in, went back downstairs. Checking his domain, like a dog pissing at corners.

Then he sat again, trying to find if he could recall, word by word, the novel that the Romanians had thought too dangerous to return.

CHAPTER TWO

The outline was nowhere in the house. Nonetheless, the novel was mostly there in his head, still his if he hurried to get it down on paper. He had seen the phenomenon before when he had lost a page or two of something and had had to do it over, then had located the original, and, comparing them, found that the second reproduced the first almost exactly. Writing was concentration; writing was thought: what came hard stayed in the brain. And pulling it back out, setting it down on paper, blotted out everything else - Janet Striker, the little Wesselons, the somebody who might be looking at them from the house behind, although that was an idea of Atkins’s he thought overblown, nonetheless offensive: he hated being spied on. Even having somebody read over his shoulder irritated him.

At two, he threw the pen down and rubbed his eyes. The left one stung. He supposed he’d need glasses soon. Distance vision was good - he could still shoot the spade out of an ace at twenty yards, as he’d proven to the sceptical officer who’d run the Romanian prison. But reading and writing made the eye hurt. The idea of eyeglasses piqued his vanity, reminded him of Janet Striker, brought back his feeling of deflation.

‘I’m going out!’ he shouted down the stairs. He’d walk, he thought, clear out his brain. At the very least, he could carry the pages he’d written up to his typewriter in Lloyd Baker Street. He wouldn’t trust anybody else to do it, anyway - the only copy, its loss not to