The weight of water - By Anita Shreve Page 0,1

ten miles southeast off the New Hampshire coast at Portsmouth. The islands measure three and a half miles north and south by one and a half miles east and west. There are nine islands at high tide, eight at low; White and Seavey are connected. The largest island looked to its first residents like a fat pig wallowing in the sea, and hence the name of Hog. Smuttynose, our destination, derived its name from a clump of seaweed on the nose of a rock extending into the ocean. It has always been an off-putting name, though the others read like poetry from a ship’s log: “We passed today the islands of Star and Malaga and Seavey and Londoners; and navigated to our success the treacherous rock of Shag and Eastern and Babb’s and Mingo.”

In 1635, the Isles of Shoals were formally divided between the Massachusetts Bay Colony, which included Maine, and the territory subsequently to be known as New Hampshire. Duck, Hog, Malaga, Smuttynose, and Cedar went to Maine. Star, Londoners, White, and Seavey went to New Hampshire. The division has always held. In 1635, when the ordinance was first declared, nearly all of the residents of Star fled to Smuttynose, because it was still legal to drink in Maine.

From the guidebooks, I read startling facts: On the island of Star, in 1724, a woman named Betty Moody hid herself and her three children from Indians in a cavern. She crouched near to the ground and held one of the children, an infant girl, tightly to her breast. Mrs. Moody meant to silence her baby to keep the child from giving away their location, but when the Indians had gone, she discovered that she had smothered the girl.

Rich looks like a wrestler: He is neatly muscled and compact. His head is shaved, and he has perfect teeth. I do not think he resembles Thomas at all — an odd, genetic quirk; there are ten years between them. Rich tickles Billie unmercifully, even on the Zodiac. She squeals as if she were being tortured, and then complains when he stops. Rich walks about the Morgan with athletic grace, and he gives the impression of a man for whom nothing has ever been complicated.

We have come only from Annisquam and arrive in the early morning. I watch Thomas bend over the stern to snag the mooring. His legs are pale with whorls of brown hair above the backs of his knees. Over his bathing suit, he has on a pink dress shirt, the cuffs rolled to the elbows. It is odd to see Thomas, my husband of fifteen years, engaged in chores upon this boat, a second mate to his younger brother. Without his pen or his books, Thomas seems disarmed, disoriented by manual labor. As I watch him, I think, as I so often do, that my husband looks too tall for his surroundings. He seems to have to stoop, even while seated. His hair, cut longish, now nearly colorless, falls forward onto his forehead, and he pushes it away with a gesture I am fond of and have seen a thousand times. Despite his seniority, or perhaps because of it, I sometimes see that Thomas is unsettled by the presence of Rich and Adaline, as a father might be in the company of a grown son and a woman.

What does Adaline think when she observes Thomas? My husband is a poet of the first tier, already a kind of emeritus at the university, even though he is only forty-seven. Adaline is not a poet, but seems to have great admiration for Thomas’s work. I wonder if she knew Thomas’s verse before, or if she has learned it for the trip.

When there is time, I read about the islands. I carry pounds of paper in my camera bag — guidebooks, accounts of the murders, a trial transcript — materials from Research, who seem to think that I am writing the piece. When the murders occurred, in 1873, the newspapers wrote of the crime, and later it was called in these same papers “the trial of the century.” This is a familiar turn of phrase this summer as we witness a courtroom spectacle that has all but benumbed even the most avid observers. My editor thinks there is a link between the two events: a double murder with a blade, a famous trial, circumstantial evidence that hinges on tiny factual details. As for me, I think the similarities few, but a magazine