The Time Of The Dark - By Barbara Hambly Page 0,3

opposite the foot of the stairs, and the odd slab was in no way raised above the level of the rest of the floor. The hunchback made an even wider circuit, moving from pillar to pillar, woofing and clucking quietly to himself and never taking those sharp, fear-filled eyes from the pale stone.

The woman loaded her basket and handed it to the hunchback to carry. She started back toward the steps and paused, irresolute, clearly telling herself not to be a silly, superstitious goose, that there was no reason to be afraid, not of the darkness that pressed so close around her, and certainly not of six feet by twelve of pavement that was gray instead of black, granite instead of basalt. But in the end, she took the long way around, to avoid walking on that odd slab.

That's why it's rough, when the rest of the floor is so weirdly smooth, Gil thought. No one walks on it. No one has ever walked on it.

Why?

But even the sense that the two dreams were somehow connected held only a kind of passing curiosity for her, until the third dream. They did nothing to disturb the fabric of her daily existence. She continued to spend hours in the university library, searching scholarly articles and moldering Middle English town records, jotting information on index cards that she later sorted out at the kitchen table back in the Clarke Street apartment, trying to make sense of what she knew. She graded undergraduate papers, sweated over her grant proposal, and had her dealings with friends and lovers-the routine of her life-until she dreamed of that beleaguered city again.

She knew it was the same city, though she looked down on it now from above. She found herself standing in the embrasure of a tall window, in a tower, she thought. So bright was the moonlight that she could discern the patterns of the courtyard pavement far below, see the designs worked into the wrought-iron lace of the gates, and make out even the shadows of the fallen leaves, like a furring of dust on the ground. Raising her eyes, she could catch, across the peaked maze of rooftrees, the glimpse of distant water. In the other direction, the black shoulders of mountains loomed against the hem of a star-blazing sky.

In the room behind her a solitary tongue of flame stood above the polished silver of the lamp on the table, and by its small, unwavering glow she could distinguish the furnishings, few and simple, each exquisitely wrought out of dark wood and ivory. Though the design and motifs were alien to her eyes, she could recognize in them the creative height of a well-founded tradition, the product of a sophisticated and tasteful culture. And she saw that she was not alone. Against the chamber's far wall stood the room's largest piece of furniture, a massive ebony crib, its scrolled railings veined in mother-of-pearl that caught the dim lamplight. Above it, all but hidden in the massed shadows, a tall canopy loomed, with an emblem picked out in gold: a stylized eagle striking, beneath a tiny crown. This emblem was repeated, stitched in pinfire glints of bullion, on the black surcoat of the man who stood beside that crib, head bent and silent as a statue, looking down at its sleeping occupant.

He was a tall man, handsome in an austere way. Some silver showed in his shoulder-length brown hair, though Gil would not have put his age much above thirty-five. From the soles of his soft leather boots to the folds of the billowing robe that covered surcoat and tunic, the man's clothing was rich, of a piece with the subdued grandeur of the room, dark, plain, flawlessly tailored of the most expensive fabric. The gems in the hilt of his sword flickered like stars in the lamplight with the small movement of his breath.

A sound in the corridor beyond made him raise his head, and Gil saw his face, haunted with the expectation of terrible news. Then the door beside him opened.

"I thought I should find you here," the wizard said. For one moment Gil had the absurd notion that he was speaking to her. But the man in black nodded, his face setting into lines worn by grim concentration on a problem beyond solving, and his long, slender hand continued to stroke the inward-curling circles of the rail of the crib.

"I was on my way down," he apologized, his voice muffled, his face turned