Those Who Save Us - By Jenna Blum

PROLOGUE

Trudy and Anna, 1993

THE FUNERAL IS WELL ATTENDED, THE NEW HEIDELburg Lutheran Church packed to capacity with farmers and their families who have come to bid farewell to one of their own. Since every seat is full, they also line the walls and crowd the vestibule. The men are comically unfamiliar in dark suits; they don’t get this dressed up for regular services. The women, however, wear what they do every Sunday no matter what the weather, skirt-and-sweater sets with hose and pumps. Their parkas, which are puffy and incongruous and signify the imminent return to life’s practicalities, are their sole concession to the cold.

And it is cold. December in Minnesota is a bad time to have to bury a loved one, Trudy Swenson thinks. In fact, it is quite impossible. The topsoil is frozen three feet down, and her father will have to be housed in a refrigeration unit in the county morgue until the earth thaws enough to receive him. Trudy tries to steer her mind away from how Jack will look after several months in storage. She makes an attempt to instead concentrate on the eulogy. But she must be suffering the disjointed cognition of the bereaved, for her thoughts have assumed a willful life of their own. They circle above her in the nave, presenting her with an aerial view of the church and its inhabitants: Trudy herself sitting very upright in the front row next to her mother, Anna; the minister droning on about a man who, from his description, could be any fellow here; the deceased looking dead in his casket; the rest of the town seated behind Trudy, staring at the back of her head. Trudy feels horribly conspicuous, and although she means her father no disrespect, she prays only for the service to be over.

Then it is, and the congregation rumbles to its feet and stands in expectation. Trudy realizes that they are waiting for her and Anna to depart the church ahead of everyone else, as is proper. She pauses to mumble a final good-bye to Jack; then she takes Anna’s elbow to help her from the pew. Anna allows Trudy to guide her past the ranks of impassive faces, but once they are outside she folds her arms to her sides and forges on alone. The two women take tiny cautious steps over the ice to Trudy’s car.

Trudy starts the ignition and sits shivering, waiting for the engine to warm up. The interior of the Civic won’t be comfortable until they have reached their destination, the farmhouse six miles north of here. The arctic air is like shards of glass in the lungs; it shakes Trudy to the bones until they threaten to snap.

Well, I thought that was a nice service, she says to Anna.

Anna is looking through the passenger’s window at the horizon. The Lutheran Church is built on the highest ridge in New Heidelburg, all the better to be close to God. From this vantage point in the summer, the countryside below is a dreaming checkerboard over which it seems that one could, with a running start, spread one’s arms and fly. Now it is a sullen and unbroken white.

Trudy tries again.

Short and simple, she says. Dad would have approved, don’t you think?

Slowly, Anna turns her pale gaze on the windshield and then upon her daughter, staring at Trudy as though she doesn’t know who Trudy is.

We must get to the house, she replies. I must set out the food. The people will be coming soon enough.

This is true; all around them, the New Heidelburgers are already climbing into their trucks and minivans. After a brief and respectful intermission to let the family members refresh their public faces, the townsfolk will descend upon the farmhouse, bearing casseroles and condolences. Trudy shifts into gear and accelerates out of the lot, noting Anna’s hands and feet jerk up, just a little, at the unaccustomed speed. Although Anna has lived nearly fifty years in this remote rural area, where people think nothing of traveling half an hour to buy groceries, she has never learned to drive. She turns back to her window to watch the fields as they blur past.

To Trudy, who abandoned New Heidelburg for the Twin Cities as soon as she finished high school thirty-five years earlier, this landscape is a study in monotony, as bleak and inhospitable as the steppes of Siberia. Snow and mud, gray sky, line after line of barbed-wire fencing swooping along the two-lane road. Silos