Oblivion_ stories - By David Foster Wallace Page 0,1

outlets first in the Midwest and upper East Coast and then, if the test-market data bore out Mister Squishy’s parent company’s hopes, nationwide.

A total 27 of the snack cakes were piled in a pyramidal display on a large rotating silver tray in the center of the conference table. Each was wrapped in an airtight transpolymer material that looked like paper but tore like thin plastic, the same retail packaging that nearly all US confections had deployed since M&M Mars pioneered the composite and used it to help launch the innovative Milky Way Dark line in the late 1980s. This new product’s wrap had the familiar distinctive Mister Squishy navy-and-white design scheme, but here the Mister Squishy icon appeared with its eyes and mouth rounded in cartoon alarm behind a series of microtextured black lines that appeared to be the bars of a jail cell, around two of which lines or bars the icon’s plump and dough-colored fingers were curled in the universal position of inmates everywhere. The dark and exceptionally dense and moist-looking snack cakes inside the packaging were Felonies!®—a risky and multivalent trade name meant both to connote and to parody the modern health-conscious consumer’s sense of vice/indulgence/transgression/sin vis à vis the consumption of a high-calorie corporate snack. The name’s association matrix included as well the suggestion of adulthood and adult autonomy: in its real-world rejection of the highly cute, cartoonish, n- and oo-intensive names of so many other snack cakes, the product tag ‘Felony!’ was designed and tested primarily for its appeal to the 18-39 Male demographic, the single most prized and fictile demotarget in high-end marketing. Only two of the present Focus Group’s members were over 40, and their profiles had been vetted not once but twice by Scott R. Laleman’s Technical Processing team during the intensive demographic/behavioral voir dire for which Team Δy Focus Group data was so justly prized.

Inspired, according to agency rumor, by an R.S.B. Creative Director’s epiphanic encounter with something billed as Death by Chocolate in a Near North café, Felonies! were all-chocolate, filling and icing and cake as well, and in fact all-real-or-fondant-chocolate instead of the usual hydrogenated cocoa and high-F corn syrup, Felonies! conceived thus less as a variant on rivals’ Zingers, Ding Dongs, Ho Hos, and Choco-Diles than as a radical upscaling and re-visioning of same. A domed cylinder of flourless maltilol-flavored sponge cake covered entirely in 2.4mm of a high-lecithin chocolate frosting manufactured with trace amounts of butter, cocoa butter, baker’s chocolate, chocolate liquor, vanilla extract, dextrose, and sorbitol (a relatively high-cost frosting, and one whose butter-redundancies alone required heroic innovations in production systems and engineering—an entire production line had had to be remachined and the lineworkers retrained and production and quality-assurance quotas recalculated more or less from scratch), which high-end frosting was then also injected by high-pressure confectionery needle into the 26 × 13mm hollow ellipse in each Felony!’s center (a center which in for example Hostess Inc.’s products was packed with what amounted to a sucrotic whipped lard), resulting in double doses of an ultrarich and near-restaurant- grade frosting whose central pocket—given that the thin coat of outer frosting’s exposure to the air caused it to assume traditional icing’s hard-yet-deliquescent marzipan character—seemed even richer, denser, sweeter, and more felonious than the exterior icing, icing that in most rivals’ Field tests’ IRPs and GRDS was declared consumers’ favorite part. (Hostess’s lead agency Chiat/Day I.B.’s 1991-2 double-blind Behavior series’ videotapes recorded over 45% of younger consumers actually peeling off Ho Hos’ matte icing in great dry jagged flakes and eating it solo, leaving the low-end cake itself to sit ossifying on their tables’ Lazy Susans, film clips of which had reportedly been part of R.S.B.’s initial pitch to Mister Squishy’s parent company’s Subsidiary Product Development boys.)

In an unconventional move, some of this quote unquote Full-Access background information re ingredients, production innovations, and even demotargeting was being relayed to the Focus Group by the facilitator, who used a Dry Erase marker to sketch a diagram of Mister Squishy’s snack cake production sequence and the complex adjustments required by Felonies! at select points along the automated line. The relevant information was relayed in a skillfully orchestrated QA period, with many of the specified questions supplied by two ostensible members of the Targeted Focus Group who were in fact not civilian consumers at all but employees of Team Δy assigned to help orchestrate the unconventionally informative QA, and to observe the deliberations of the other twelve men once the facilitator left the