The Godfather of Kathmandu - By John Burdett Page 0,1

fighting two instructors at the same time, and of course they both came off worse, but she still can’t really call herself one of the boys because she’s in love with me. Don’t tell her I said that.”

“Kimberley? Really?”

“She sent me an e-mail yesterday.”

Kimberley Jones, an FBI agent, is a friend of mine and Lek’s. Especially Lek’s. It’s a long story. She worked with me on a few cases of an international nature and fell in love with Lek, which awkward fact has confused the hell out of her. Does her lust for a transsexual make her a dyke or not? I fear there is little in your culture, farang, to provide guidance on this conundrum—so she calls me all the time.

The corridor on the fourth floor leads to room 422, where two uniformed cops are stationed.

They part to let us into the apartment, where a massive American at least six feet long waits propped up in semi-sitting position on a bed wearing only a gigantic pair of shorts, over the top of which a great wormy mass of intestines has flopped like tripe in a butcher’s shop. (His bed is so narrow that parts of his flesh sag over each side, and one has to wonder how he coped when engaged in sexual congress.) The drama of this center-screen image at first makes the various slim Thai cops and forensic technicians seem like a chorus to a Greek tragedy. Then Sukum steps forward.

Detective Sukum Montri is a good-looking Thai cop in his early thirties, very upright and proper when not consumed by fear, aggression, and lust—like the rest of us; but right now I discern in his eyes the fire of one who has decided that this is the moment when the fig leaf of comradeship must be dropped by both protagonists to reveal the competing stiffness of their virile members. Well, I have good news for him: today, thanks to the way my psychosis is hanging, I’m all metas—Sanskrit for “loving-kindness.” However, it is important not to spoil people. I shall break the good news that I don’t give a damn about promotion today—or for the rest of my life—later. For the moment, let us enjoy Sukum.

He wears a black jacket, black pants, white shirt, thin pink nylon tie (pink because it’s Tuesday—our days of the week are color coded), all items generic, i.e., not good enough to qualify as fakes. The jacket is particularly narrow at the shoulders, pinching under the arms and badly crumpled, even though I’m sure it was freshly pressed yesterday. (Our gifted imitators of French and Italian haute couture would never be so crass; Sukum’s tailor, if he has one, must be Thai Chinese of the old cloth-saving school.)

“Good morning, Detective.” I take careful note of the position of his hands as he wais me (palms pressed together and raised to mouth level, with precisely the right mindful pause), before I wai him back in exactly the same way. Sukum coughs. “It’s very kind of you to rush over to help me out,” he says. I grunt noncommittally, causing a brief grin to cross Lek’s face.

“Of course your special input will be most welcome.” Sukum is talking about my perfect English, which I learned from my mother’s customers, and my half-farang blood, which gives me a unique insight into the mysterious Western mind.

“Yes?”

“Oh, yes. But let’s not get carried away.”

“Oh, absolutely.”

Here Sukum drops his tone almost to a whisper. “Let me be frank: the unwritten rule that you get farang murders only applies when the murderer is also farang. It doesn’t apply when a Thai whore snuffs a farang.”

I insert the pinkie of my left hand into my left ear, which is still itching from the motorbike ride, and work the wax around a bit. “Really? Forgive me, Khun Sukum, but is there not a failure of logic in what you have just said? How would one know until the end of the case if the perp were Thai or farang?”

“I knew you were going to say that,” he snaps. “Look, this is obviously a Thai hit.” I ostentatiously move my eyes up and down the gash from the victim’s solar plexus almost to the pubic area; the corpse is so massive it is hard to imagine a little Thai girl standing on tippy-toe so she can get a good angle with the boning knife. I allow Sukum a skeptical stare. “Okay, it’s a bit ambitious for a girl, but you know how