take your hair, long and black as the river of night. I take your eyes, large and sharp and glittering. I take your face, slender and strong. Your beautiful body is mine. Your hands, swift and nimble, and your feet, graceful and quick. I wear your face and pretend your heart is mine as well.
And at last, the smoke clears away, and I stand in the garden I created for you. Human to the eye, inside I’m nothing but smoke and power. I stretch and sigh, and slowly, slowly smile at the boy.
He is lying on his back, eyes wide, mouth gaping. Once, twice, thrice his mouth opens and shuts, before he finally chokes out, “Bloody gods!”
This Amulen is young, perhaps seventeen or eighteen summers. His poor thin robes betray a body that carries not an ounce of fat. He is bone and blood and smooth, hard muscle, a boy who has stolen for survival, no doubt, from the fruit vendors and camel drovers and the gutters. Who knows that each day is not a gift but a prize that is to be seized. “You’re a—you’re a—”
Say it, boy. Demon of fire. Monster of smoke. Devil of sand and ash. Servant of Nardukha, Daughter of Ambadya, the Nameless, the Faceless, the Limitless. Slave of the Lamp. Jinni.
“. . . a girl!” he finishes.
For a second, I can only blink at him, but I recover quickly.
“Tremble, mortal!” I declare, letting my voice echo through the cavern. “I am the Slave of the Lamp, the mighty Jinni of Ambadya. I hold the power to grant your desires thrice. Command, and I your slave shall answer, son of man, for such is Nardukha’s law.” Ah, Nardukha, mighty King of the Jinn. My Master of Masters. Damn his smoke-and-fire bones.
“A jinni,” the boy murmurs. “It all makes sense now.”
He pauses as a string of sand trickles onto his shoulder from above. He brushes it away and steps aside, but it begins to fall all around him. The floor slides, jewels rattling and rolling. He stumbles.
“What’s happening?” he asks breathlessly as he climbs to his feet.
“These ruins are old. The magic that fills them is older still, and it will kill you very soon.” No point in blunting the truth. “But if you wish for your life, I will save you.”
He grins, cheeky as a crow. “Why wish for it when I can run? Can you keep up with me, jinni girl?”
At that, I can only laugh, and in an instant bind myself into the form of a hawk and begin winging across the treetops. The branches sway and crack in the gale that sweeps around the room. Jeweled fruit crashes to the ground. The air is filled with the sound of breaking glass and roaring wind.
The boy slides down the hill and sprints through the grass. Branches reach for him, trying to ensnare his arms and neck, but I pull them away with my talons. Shadowy hands reach from the stream and grab his ankles. I beat them away with my wings.
The boy is fast, but is he fast enough? I lead him over and around the piles of treasure, through arches made of glittering, buckling sand. I will credit my young master this: He is quick, and he does not surrender easily.
The exit is not far now. Sand falls in sheets, so thick it beats the boy down and drives him to his knees. He chokes and coughs, his mouth filling with sand. Still he fights forward, his legs straining to bear him up again. He presses on with his eyes shut, hands groping like a blind man’s.
With a swirl of smoke, I shift from hawk to girl, dropping to the ground beside him. I take his hand and pull him along, trying to ignore the warmth of his touch. I have not touched a human in . . . oh, so very long, Habiba. His fingers tighten around mine, his palm dry and gritty with sand, his veins pulsing with life. As always happens when I touch a human, his heartbeat overwhelms me. It pounds at my ears and echoes mockingly in the emptiness of my chest, where there is only smoke instead of a heart.
There! A gaping doorway, half sunk in sand, which once led to your throne room, Habiba, but that now leads to a dark desert sky bright with stars. The teak door that hung there has long since rotted away, and the stones are chipped and dull, but