Flux Tales Of Human Futures - By Orson Scott Card Page 0,1

well go stick my head in an oven.

But with my luck, it would be electric.

He may have slept. He wasn't sure. But the door opened, and he opened his eyes with no memory of having heard footsteps approach. The calm before the storm: and now, the storm.

The soldiers were young, but unslavic. Slavish but definitely American. Slaves to the Slavs. Put that in a protest poem sometime, he decided, if only there were someone who wanted to read a protest poem.

The young American soldiers (But the uniforms were wrong. I'm not old enough to remember the old ones, but these are not made for American bodies.) escorted him down corridors, up stairs, through doors, until they were outside and they put him into a heavily armored van. What did they think, he was part of a conspiracy and his fellows would come to save him? Didn't they know that a man in his position would have no friends by now?

Jerry had seen it at Yale. Dr. Swick had been very popular. Best damn professor in the department. He could take the worst drivel and turn it into a play, take terrible actors and make them look good, take apathetic audiences and make them, of all things, enthusiastic and hopeful. And then one day the police had broken into his home and found Swick with four actors putting on a play for a group of maybe a score of friends. What was it-- Who's Afraid of Virginia Woolf? Jerry remembered. A

sad script. A despairing script. But a sharp one, nonetheless, one that showed despair as being an ugly, destructive thing, one that showed lies as suicide, one that, in short, made the audience feel that, by God, something was wrong with their lives, that the peace was illusion, that the prosperity was a fraud, that America 's ambitions had been cut off and that so much that was good and proud was still undone-- And Jerry realized that he was weeping. The soldiers sitting across from him in the armored van were looking away. Jerry dried his eyes.

As soon as news got out that Swick was arrested, he was suddenly unknown. Everyone who had letters or memos or even class papers that bore his name destroyed them. His name disappeared from address books. His classes were empty as no one showed up. No one even hoping for a substitute, for the university suddenly had no record that there had ever been such a class, ever been such a professor. His house had gone up for sale, his wife had moved, and no one said good-bye. And then, more than a year later, the CBS news (which always showed official trials then) had shown ten minutes of Swick weeping and saying, "Nothing has ever been better for America than Communism. It was just a foolish, immature desire to prove myself by thumbing my nose at authority. It meant nothing. I was wrong. The government's been kinder to me than I deserve." And so on. The words were silly. But as Jerry had sat, watching, he had been utterly convinced. However meaningless the words were, Swick's face was meaningful: he was utterly sincere.

The van stopped, and the doors in the back opened just as Jerry remembered that he had burned his copy of Swick's manual on playwriting. Burned it, but not until he had copied down all the major ideas. Whether Swick knew it or not, he had left something behind. But what will I leave behind? Jerry wondered.

Two Russian children who now speak fluent English and whose father was blown up in their front yard right in front of them, his blood spattering their faces, because Jerry had neglected to warn him? What a legacy.

For a moment he was ashamed. A life is a life, no matter whose or how lived.

Then he remembered the night when Peter Andreyevitch (no-- Anderson . Pretending to be American is fashionable nowadays, so long as everyone can tell at a glance that you're really Russian) had drunkenly sent for Jerry and demanded, as Jerry's employer (i.e., owner), that Jerry recite his poems to the guests at the party.

Jerry had tried to laugh it off, but Peter was not that drunk: he insisted, and Jerry went upstairs and got his poems and came down and read them to a group of men who could not understand the poems, to a group of women who understood them and were merely amused. Little Andre said afterward, "The poems were