Don't Look Back - By Karin Fossum Page 0,1

the handbrake and glanced in the back of the van.

"Mama's waiting for me," Ragnhild said.

A bell seemed to ring in the back of her mind, but she couldn't remember what it was for.

"You'll get home sooner if I drive you," he said.

That decided it. Ragnhild was a practical little girl. She wheeled the pram behind the van and the man hopped out. He opened the back door and lifted the pram in with one hand.

"You'll have to sit in back and hold on to the pram. Otherwise it'll roll about," he said, and lifted in Ragnhild too.

He shut the back doors, climbed into the driver's seat, and released the brake.

"Do you go up this hill every day?" He looked at her in the mirror.

"Only when I've been at Marthe's house. I stayed over."

She took a flowered overnight bag from under the doll's blanket and opened it, checking that everything was in place: her nightgown with the picture of Nala on it, her toothbrush and hair brush. The van lumbered over another speed bump. The man was still looking at her in the mirror.

"Have you ever seen a toothbrush like this?" Ragnhild said, holding it up for him. It had feet.

"No!" he said. "Where did you get it?"

"Papa bought it for me. You don't have one like it?"

"No, but I'll ask for one for Christmas."

He was finally over the last bump, and he shifted to second gear. It made an awful grinding noise. The little girl sat on the floor of the van steadying the pram. A very sweet little girl, he thought, red and cute in her tracksuit, like a ripe little berry. He whistled a tune and felt on top of the world, enthroned behind the wheel in the big van with the little girl in the back. Really on top of the world.

The village lay in the bottom of a valley, at the end of a fjord, at the foot of a mountain. Like a pool in a river, where the water was much too still. And everyone knows that only running water is fresh. The village was a stepchild of the municipality, and the roads that led there were indescribably bad. Once in a while a bus deigned to stop by the abandoned dairy and pick up people to take them to town. There were no night buses back to the village.

Kollen, the mountain, was a grey, rounded peak, virtually neglected by those who lived there, but eagerly visited by people from far-off places. This was because of the mountain's unusual minerals and its flora, which was exceptionally rare. On calm days a faint tinkling could be heard from the mountaintop; one might almost believe it was haunted. In fact, the sound was from sheep grazing up there. The ridges around the mountain looked blue and airy through the haze, like soft felt with scattered woollen veils of fog.

Konrad Sejer traced the main highway in the road atlas with a fingertip. They were approaching a roundabout. Police Officer Karlsen was at the wheel, keeping an attentive eye on the fields while following the directions.

"Now you have to turn right on to Gneisveien, then up Skiferbakken, then left at Feltspatveien. Granittveien goes off to the right. A cul-de-sac," Sejer said pensively. "Number 5 should be the third house on the left."

He was tense. His voice was even more brusque than usual.

Karlsen manoeuvred the car into the housing estate and over the speed bumps. As in so many places, the new arrivals had taken up residence in clusters, some distance from the rest of the local community. Apart from giving directions, the two policemen didn't talk much. They approached the house, trying to steel themselves, thinking that perhaps the child might even be back home by now. Perhaps she was sitting on her mother's lap, surprised and embarrassed at all the fuss. It was 1 p.m., so the girl had been missing for five hours. Two would have been within a reasonable margin, five was definitely too long. Their unease was growing steadily, like a dead spot in the chest where the blood refused to flow. Both of them had children of their own; Karlsen's daughter was eight, Sejer had a grandson of four. The silence was filled with images, which might turn out to be correct – this was what struck Sejer as they drew up in front of the house.

Number 5 was a low, white house with dark blue trim. A typical prefab house with no personality,