The diving pool: three novellas - By Yoko Ogawa & Stephen Snyder Page 0,2

the Light House. His mother had been a chronic alcoholic, and he had been born out of wedlock, so one of our loyal parishioners had brought him to us.

I had broken off a branch from the fig tree and was watching the opalescent liquid ooze from the wound. When I touched it, the sticky emission clung to my finger. I broke another branch.

"Time for milky!" I said to Jun.

I made him sit on my lap, and I wrapped an arm around his shoulders as I brought the branch to his lips. Nothing about Jun's body then hinted at the muscular form later shining in the transparent water of the pool. My arms remember only the softness of an ordinary small child. Like a baby at the breast, he pursed his lips and made little chirping sounds, even wrapping his hands around mine as if he were clutching a bottle. The milk of the fig had a bitter, earthy smell.

I felt myself suddenly overcome by a strange and horrible sensation. It might have been the fig milk or the softness of Jun's body bringing it on, but that seemed to be the beginning—though I suppose it's possible this terrible feeling took hold of me even earlier, before I was even born.

I broke a thicker branch with more milk and smeared it against his mouth. He knit his brow and licked his lips, and at that moment the sunlight becomes intensely bright, the scene blurs to white, and my oldest memory comes to an end.

Since that time, I've had many similar moments, and I can never hear the words "family" and "home" without feeling that they sound strange, never simply hear them and let them go. When I stop to examine them, though, the words seem hollow, seem to rattle at my feet like empty cans.

My father and mother are the leaders of a church, a place they say mediates between the faithful and their god. They also run the Light House, which is an orphanage where I am the only child who is not an orphan, a fact that has disfigured my family.

Occasionally, perhaps to stir up this feeling that haunts me, I open one of the photo albums that line the bottom shelf of the bookcase in the playroom. I sit on the floor, amid the picture books and blocks, and select an album at random.

The photos were all taken at Light House events— picnics under the cherry blossoms, clam digging at low tide, barbecues, gathering ginkgo nuts—and every one is full of orphans. As in pictures from a class field trip, the faces are lined up one next to the other. And there I am, lost among them. If it were really a field trip, it would end; but these orphans came home with me to the Light House.

More often than not, my mother and father stand smiling behind the children. My father's smile is calm and even, and perhaps a bit perfunctory. Though that's to be expected for a man who spends half his life presiding over religious services and church functions. He is almost always praying his endless prayers. I gaze at the photograph of my father just as someone might gaze at the altar from the pew.

I flip sadly through an album, studying the photos. Each one is just like all the others, but none of them records my weight or length at birth, or contains a copy of my tiny footprint, or a picture of my parents and me. I slam it closed.

Sometimes I have thought it might be better if I were an orphan, too. If I could have one of the tragic histories so common at the Light House—an alcoholic mother, a homicidal father, parents lost to death or abandonment, anything at all—then I would have been a proper orphan. Then, like all the other children, I might have imagined that the nice couple who ran the Light House were my real parents, or pretended to be sweet and innocent in the hope of being adopted. Somehow, that would have made my life much simpler.

From the time of the incident with the fig tree, I wanted only one thing: to be part of a normal, quiet family.

Still, when Jun disappears into the locker room and I gather up my schoolbag, watching as the surface of the pool becomes calm and glasslike again, or, on Sunday nights, when I listen quietly for the sound of Jun coming home through the green darkness after a