Day Shift - Charlaine Harris Page 0,2

a horror movie. High ceilings. Wallpaper coming off in shreds. Smelled like mice. We didn’t even go to the second floor. The stairs were a death trap.” He smiles. “Lem remembered it when it was open. He said it was pretty nice then.”

Lemuel is well over a century and a half old, so it is not surprising that he can remember the hotel in its heyday.

“So why would anyone spend the money to renovate it?” Manfred says out loud, since that is the question on all their minds. “Wouldn’t it be cheaper to build a Motel 6 if you felt like Midnight could support a hotel?”

“Who wants to spend the night here?” Fiji asks, another question they’ve all thought about. “There are three motels in Davy if you go north, and at least six over in Marthasville if you go west. If you go to the interstate, there are a skadillion places to stay. Besides, Home Cookin isn’t open for breakfast.” It’s the only restaurant within fifteen miles.

They contemplate all those facts in silence.

“How many rooms in that hotel?” Manfred asks Bobo.

Bobo looks down at him, blue eyes narrowed in thought. “I wouldn’t think more than twelve,” he concludes. “The ground floor is the lobby and the kitchen and the dining room, plus there was an ancient phone booth, don’t know when that went in . . . and there weren’t bathrooms in the rooms . . . so, say four guest rooms on the ground floor plus a bathroom and the public rooms, and then eight on the second floor plus two bathrooms? And the third floor was storage and staff rooms, Lem said.”

Fiji grabs Bobo’s arm. “You said dining room?”

“Yeah,” Bobo says, surprised by her agitation. “Oh. I get it. The Reeds.”

“I don’t know how Home Cookin keeps open, anyway. Really. Think about it. How?” Manfred spreads his open hands as he asks them.

But Bobo and Fiji ignore Manfred’s question. They are just glad to have a good cook like Madonna in Midnight.

“If they don’t open the dining room . . .” Bobo says.

“It’ll be a good thing.” Fiji ends his thought. “Home Cookin will be busy, Gas N Go will be busy, and maybe even Joe and Chuy will sell more antiques and do more nails.”

“Huh,” Manfred says. “That would be all right.” Though he really feels he doesn’t want anything to change in Midnight, he makes himself admit that a touch of prosperity would be good for the town. His own business is done by telephone and Internet and does not depend on foot traffic.

Manfred’s cell phone rings, and he whips it out of his pocket. He doesn’t have to look at the caller ID to know it’s Joe, whom he’s watched walking back to Chuy.

“We need to have a meeting tonight,” Joe says without preamble. “Maybe Fiji can go ask the Rev, and Bobo can tell Lemuel. Is Olivia in town?”

“I don’t think so. What time?”

“Here at the shop, whenever it’s really dark.” There’s a muffled sound while Joe asks Chuy a question. “Seven o’clock good?”

“Fine, I’ll tell them.”

“See you then.”

Manfred ends the conversation and passes along the message.

“I’ll tell the Rev, but you can’t ever predict what he’ll do,” Fiji says with a shrug.

“I’ll put a note downstairs for Lemuel,” Bobo says. “He’ll see it the minute he gets up. Maybe Olivia will be back by then.”

That night, when the work crews have gone and the tall woman, too, the inhabitants of Midnight assemble in the Antique Gallery and Nail Salon. Occasionally, they can hear Rasta yapping upstairs in the very nice apartment Joe and Chuy share. “I thought he might wake up Grady,” Chuy explains. “He’ll calm down in a second.”

Sure enough, Rasta falls silent after everyone has filtered in. The salon area is the front right corner of the store, and the antiques, dusted and arranged attractively, take up the rest. Joe has assembled some folding chairs and an old love seat around a refreshments table. He and Chuy have made lemonade and tea, and there are a couple of bottles of wine. They’ve put out a cheese and cracker tray. Fiji has brought a bowl of toasted, salted pecans. Manfred tries one to be polite, then finds it hard to resist grabbing a handful.

When they all have drinks and food, they choose seats.

Madonna and Teacher settle on the love seat, with baby Grady drowsing on Madonna’s chest. Madonna is regal and a little scary, and she’s never been especially friendly. Her