Catching Fire Page 0,1

if I'd been killed in the Games. I tell him he's doing me a favor, that it drives me nuts to sit around all day. Even so, I never drop off the game while he's at home. Which is easy since he works twelve hours a day.

The only time I really get to see Gale now is on Sundays, when we meet up in the woods to hunt together. It's still the best day of the week, but it's not like it used to be before, when we could tell each other anything. The Games have spoiled even that. I keep hoping that as time passes we'll regain the ease between us, but part of me knows it's futile. There's no going back.

I get a good haul from the traps - eight rabbits, two squirrels, and a beaver that swam into a wire contraption Gale designed himself. He's something of a whiz with snares, rigging them to bent saplings so they pull the kill out of the reach of predators, balancing logs on delicate stick triggers, weaving inescapable baskets to capture fish. As I go along, carefully resetting each snare, I know I can never quite replicate his eye for balance, his instinct for where the prey will cross the path. It's more than experience. It's a natural gift. Like the way I can shoot at an animal in almost complete darkness and still take it down with one arrow.

By the time I make it back to the fence that surrounds District 12, the sun is well up. As always, I listen a moment, but there's no telltale hum of electrical current running through the chain link. There hardly ever is, even though the thing is supposed to be charged full-time. I wriggle through the opening at the bottom of the fence and come up in the Meadow, just a stone's throw from my home. My old home. We still get to keep it since officially it's the designated dwelling of my mother and sister. If I should drop dead right now, they would have to return to it. But at present, they're both happily installed in the new house in the Victor's Village, and I'm the only one who uses the squat little place where I was raised. To me, it's my real home.

I go there now to switch my clothes. Exchange my father's old leather jacket for a fine wool coat that always seems too tight in the shoulders. Leave my soft, worn hunting boots for a pair of expensive machine-made shoes that my mother thinks are more appropriate for someone of my status. I've already stowed my bow and arrows in a hollow log in the woods. Although time is ticking away, I allow myself a few minutes to sit in the kitchen. It has an abandoned quality with no fire on the hearth, no cloth on the table. I mourn my old life here. We barely scraped by, but I knew where I fit in, I knew what my place was in the tightly interwoven fabric that was our life. I wish I could go back to it because, in retrospect, it seems so secure compared with now, when I am so rich and so famous and so hated by the authorities in the Capitol.

A wailing at the back door demands my attention. I open it to find Buttercup, Prim's scruffy old tomcat. He dislikes the new house almost as much as I do and always leaves it when my sister's at school. We've never been particularly fond of each other, but now we have this new bond. I let him in, feed him a chunk of beaver fat, and even rub him between the ears for a bit. "You're hideous, you know that, right?" I ask him. Buttercup nudges my hand for more petting, but we have to go. "Come on, you." I scoop him up with one hand, grab my game bag with the other, and haul them both out onto the street. The cat springs free and disappears under a bush.

The shoes pinch my toes as I crunch along the cinder street. Cutting down alleys and through backyards gets me to Gale's house in minutes. His mother, Hazelle, sees me through the window, where she's bent over the kitchen sink. She dries her hands on her apron and disappears to meet me at the door.

I like Hazelle. Respect her. The explosion that killed my father took out her husband as well, leaving her